Hindemith's early Suite '1922' offers the player more conventional digital rewards, which Berezovsky clearly relishes, with even the rather pallid central 'Nachtstück' revealing unexpected depths. While Berezovsky doesn't quite convince that Ludus tonalis embodies the white heat of inspiration from beginning to end, he comes as close as any pianist could, or should. Fugi przedzielaj interludia o rozmaitych charakterach: siciliana, foxtrot, marsz, walc. druga poowy Fugi in F nr 3 jest rakiem pierwszej poowy. Cykl rozpoczyna Preludium, a zamyka Postludium, bdce zwierciadlanym odbiciem (rakiem) Preludium.Pomidzy nimi jest 12 fug niektóre z nich s bardzo cise, np. As for the more freely composed Interludes, dexterity and fantasy combine to project maximum energy and atmosphere, especially in the cheeky cross-rhythms of Interlude 4. Ludus tonalis, cykl utworów fortepianowych Paula Hindemitha. As the largest and most ambitious piano piece by one of the twentieth centurys leading composers, self-consciously modeled on a. The top 4 are: paul hindemith, toccata, willard macgregor and music written in all major and/or minor keys.You can get the definition(s) of a word in the list below by tapping the question-mark icon next to it. Ludus tonalis - a 50-minute cycle of 12 fugues, one in each of the major keys, connected by interludes and framed by a prelude and postlude - is clearly related to the structure of Bachs Well-Tempered Clavier. There's no attempt to beef up Hindemith's contrapuntal sobriety with spurious expressiveness, but a searching sense of line and a feeling for polyphonic give-and-take make the quieter fugues absorbing, while the extrovert ones positively sizzle with attitude. Below is a list of ludus tonalis words - that is, words related to ludus tonalis. So how does he fare in Ludus tonalis (1942)? In a word, impressively. It's a long way from music like Chopin/ Godowsky (which Berezovsky has recorded so superbly) to Hindemith's large-scale cycle of 12 fugues alternating with 11 interludes, the whole topped and tailed by a Prelude which returns, in retrograde inversion, as a Postlude.